software

My buddy Keith has a covered JB, perfect condition, full leads that he wants to trade for a same condition black JB.

...HELLOOOOOOO GUNSMOKE SILVER!!!

I have a strat copy (Gamp;L). When I switch to the bridge position, I get no sound. In the other positions, it is fine 90% of the time, but sometimes will intermittantly go dead for a few seconds and then continue working. Seems to me that it might be a bad connection or a short somewhere.

Some of you have seen my Sweet Switch threads. Now I'm thinking of just making a Stomp-A-Sweet so I don't have to add a switch to every freakin' guitar I ever own. Probably looking at a rotary switch so I can dial in a bunch of different settings (presumably some will sound better with Guitar A, others with Guitar B, etc.).

Anyone do this before, someone mentioned in my other thread that it can be done so I started this one. I prefer warmoth bodies and I prefer USACG necks, so if they fit together snugly with no issues I may do that. Anyone try this?

anyone ever notice that when playing with the tone wizard, neither the JB nor Jazz pickup comes for ANY musical style with an ash body hardtail guitar with maple neck....

Ive narrowed my amp choices down to 2 and they are a marshall JMP mastervolume series head from the late 70s or a reissue plexi 1959SLP or 1987x. It could be either 50 or 100 watts cause Ill probably get an attenuator. Anyway, my question was that if I get the mastervolume head would I be able to just tweak it a little bit to get rid of the brightness and make it more quot;plexi-likequot; without having any mods and being able to turn it back to its original specs. I was wondering this cause I know if I get the mastervolume I would most likely be able to sell it for just as much or more than when I bought it if I have to which I wouldnt be able to do if I got the reissue, and also it would be a shame to take something vintage like that and mod the heck out of it.

Hi,

I've got a P-90 here, not sure if it's an early Gibson, Seymour, what.
It's got green/black unshielded lead wires, has white-ish masking-tape wrapped around the coil, black coil-spindle, glued-on dual Alnico's. It sounded fantastic. I say SOUNDED because I was just installing it in my 1956 Gibson ES-225, my choice over all the other P-90's laying around here, when my wife and her entire animal-entourage barged past, knocking it from my hands, and now the green lead-wire which USED to be attached to the coil start-wire is no longer attached. I just want to figure out what this WAS, so I can maybe find another one! It was reading out at 7.85k There was no rear bracket, the magnets were glued -- WERE glued-- on, I was mounting it on a new bracket to install. WAAAHHHH......................

Also is it essential to have a non radiused setup?
I have an Ibanez EX with a F-rose, so no individual saddle height adjusts.

Title says it all, pretty much. I'm looking to switch out the JB in the bridge of my RR-1 (maple neck thru, alder wings, ebony fretboard, OFR). I was going to go for a Custom, but the Demon has caught my eye. I'm looking for a little more thickness and less of a high mid spike than the JB has, but I want to keep the clarity and good lead tone.

hi,

playing classic rock ala Zeppelin, Clapton and the Stones, as well as modern rock ala Pearl Jam and Oasis. I know these amps are great for blues, so I am assuming all classic rock and modern rock would just shine through a Vibrolux.

No clue where this problem comes from, but here are the facts:

Hello, I'm interested in updating my guitar's pickups, mainly just cos i reckon it'd be fun. I've got a Yamaha Pacifica 112 with the standard pickups, a Marshall MGFX30 and digitech RP100A effects pedal. I play heavy metal (system of a down, metallica), as well as blusey stuff (white stripes, led zep, clapton). Any advice for pickup setups? Ive got no idea about the different seamour duncans. Thanks in advance

Carvin CX872
In great shape very little use. 750 watts, built in effects, 8 channels, 2 eqs,

Read about them over at the Les Paul Forum, so I thought I'd give them a whirl. The LPF raves about Pyramid strings and Snake Oils. They don't have a website, but the guy that makes them has written a ton of articles for Vingage Guitar Magazine about different strings, manufacture, 60's string vs new strings, ect.

Last night was rehearsal, and I did something a bit different.

I've been reading as much as I can find on the internet - but there's not much out there. I know he used to/sometimes designs for Dean. I couldn't find any information about his own guitars here on this forum.

Any ideas?
I want an SG, I personally have been pretty happy with the Faded Specials I have played but these look interesting.Any feedback at all would be great!