software

Jazz Lil 59 and DD.

Well maybe not ashamed.

Ok, just a little background. These are supposed to be a very unique string on the market. Made out of the type of pure nickel that was available back in the late 50's and early 60's....before steel came into the picture. The nickel is also of a different type of composition than any of the quot;pure nickelquot; strings that are on the market today. The guy who produces them is a vintage tone freak regarding strings, and will only use the finest quot;historically correctquot; materials and methods....like Seymour with the Antiquities. He has done a lot of research and sound comparisions, in addition to being a player for more than 30 years. He has documented the difference in tone from early 60's string to the strings that came out in the 70's....interesting stuff, and has written an amazing series of articles on the subject. He says most people forget that tone starts with you string, as they are the first thing in the tone chain right after your fingers....and that's a good point.

Still love my Classic 30 amp, but I need more gain. My distorion pedal's input jack is pretty messed up and I know I can get a better sound anyway. The Classic 30 is giving me enough gain for any classic rock and some lighter metal but...it's a Classic 30 and I can't always turn it up in the house.
I think most of the long-time members here know I play shred stuff.

Have had the Vox Tonelab for a couple of months - nice, use it for recording only. Have a couple of other gtr processors (hardware).

I have a Washburn falcon that accommadates splitting and I want to replace the pickups. I am looking for a good blues tone like old Clapton,Peter Green,Mick Taylor any thoughts

Trace Elliot Velocette 1x10 Amplifier for $320:
15 Watts of Class A goodness at a price you'll never find anywhere else. It's the smallest amp I've owned and probably the biggest sounding. These are the amps that gor branded quot;Goldtonequot; by Gibson after the bought Trace. Knob-twiddlers need not apply; Volume, Tone and a bright switch. However it does have a speaker extension switch. You will never find an amp that sounds this good for this price.

I'm starting to toy around with the idea of building a 12 string Strat, and I have some thoughts about it, but was interested in some other opinions. Anybody have any thoughts on body and fretboard woods? What about neck radius?
Thanks for any input.

ok this is my Band Crimson Sky's EP..there are 6 songs ..on here are 4. this isn't the final mix, but just about..this is basically it. it cose us $300 in total and it sounds awesome for the price. PLEASE listen and tell me what you think, this is the 1st full band good quality recording i have put here and i would really like some feedback..the clips are up here:

Hey All,
new to the forum!

Backing track for your face-melting pleasure. Got the drums and bass from from : localhost/guitar by me

Im having problems with my P-90 quot;soapbarquot; , i cant seem to figure out how to adjust the pickup height, anyone knows how do i go about doin that? Thanks in advance

I have a JB humbucker in the bridge of one of my guitars and, similar to one of the other posters here, I am not getting really good pinch harmonics.

I'm willing to trade for these items. I'm looking for stomp boxes, no multi-fx processors please.

What pick up in the neck would offer the nicest combination
with a 59 bridge in a Les paul?

I ordered 3 duncan ssl-3 hot pickups off ebay. The company was really bad about handling the sale but i got them none the less. But they came in opened ssl-1 boxes. now i thought that i just got something different, but then i looked on the bottom of the pickups and they have a 3 stamped into the metal. Does this three mean they are ssl-3's or are they ssl-1's. If niether wut does the number mean? thnx

If I fit a set of right hand Alnico II Pro™ Staggered (APS-1) into a left handed Strat, what problems will there be? What exactly is different between a left and right handed set of PU's?

Usually my L-2000 is at the practice studio, as it's my #1 bass for practice and playing. But I brought it home last nite and by the time I decided to take pics the sun wasn't in the best picture taking position. But this is one of the most underrated basses of all time, meet the Gamp;L L-2000.just wondering, but what in the hell are all those switches for

Got my hands on a beautiful Bluesbreaker Combo last saturday. Truly amazing, what a sound!!

How's this look? Anybody tried this supplier?