software

a couple years ago i found an faq on how to true bypass a big muff. so i took mine apart and started reading the faq, and realzed it didn't even work for my pedal. after that it just sat around for a while.

When he gets mad.

Can anyone guide me on a coil split mod on a 2004 Hamer Stucio Custon w/SH-1 59's? These have ONE volume TWO tone and a 3 way toggle selector switch. Thanks.... Larry

Set of Fender Texas Specials (Strat) can include a prewired pickguard (white)with pots and switch and choice of black or white knobs and covers.
$75 will get you the entire lot! Excellent condition.

anybody know anything about thiese amps? Somebody told me they have great punchy tone but I never heard one. the web site has 2 mp3's but it doesnt realy do the amp justice. does anyone else know where I can hear an mp3 of this amp? The guy that told me about them said they sound realy good so my curiosity is up.

The 490R amp; 498T pups in my LP Studio have gone microphonic amp; squeal like crazy whenever I'm within 10 feet of my amp. I had a bar gig this weekend amp; it was a chore to get around the problem. Very embarrasing. I guess I could have them potted, but why bother when there's Duncans out there! Plus I've never been able to get controlled feedback with the Gibby pups in there now as they are fried. Duncans = controlled feedback!!!!

So are you guys a more of lick oriented guitar player or do u more or less make up ur path around the fretboard on the spot.

Anyone seen these yet? Here is one on e-bay from : localhost/cgi.ebay.com/ws/eBayISAPI.dll...323097367amp;rd=1I can't find them on the Fender web site. I saw a slew of them at GC Dallas this weekend- a 1x12 all tube combo with a Jensen speaker. I didn't get to crank it but they sounded nice at lower levels. They look like they have been through a war (very relic'd - grill cloth all ripped, etc...) but $400 (new at GC) for an all tube Fender isn't bad in my book. I am going to go back and try it with a Keelley Tube Screamer and see what happens!!

I'm looking to purchase a new Alto Sax for my niece, as her current sax has been rendered unusable. She's in the Highschool band, and will most likely use this instrument for the remainder of H.S. (3 more years). My budget is under $500. So, who makes a decent sax in this price range? All comments are welcome. Thanks.

Finally got it last week, and played thru the whole practice yesterday.

Title says it all, if not sound any other info would be helpful.

this should get a pretty long discussion going. what is the best amp for heavy metal in your opinion. and why do you think its the best. i wanna hear amp models cab models and types of speakers. if you got an opinion on it, then put it right here.my choice has got to be the marshall 800 head with 4x12 cabs runnin celestion vintage 30's. for some reason i really like those speakers. but im pretty sure there are some out there that are much better that i just havent tried yet.

Well yesterday I bought these 2 pups and plan to put them in very soon......anyone have experience with this combination?

A cable got yanked past my Original Crybaby and snagged on the little piece that turns the pot when you step on it, pulling it off the pot and disconnecting it. The result was the wah always being wide open (bass) when it was on. I was able to reconnect the piece, and everything looks alright, but it's still letting through very little trebble even when pushed all the way forward. Can anyone tell me what to do?Sounds like the pot needs to be readjusted.

I've got a Tele with a vontage brige, and I've broken the A string twice now before the strings are even dead. I assume that it's a burr oe something on the saddle, I tried to sand it down with some 80 grit sandpaper, but it was difficult to get in the groove of the saddle. What is the proper technique for this?

Anybody have one? What do yo think about it? Also, tell me which one you have.

so i've been looking at the new Dan Donagen (Disturbed) and Scott Ian (Anthrax) signature models from Washburn. they 2 version of each of them, a lower quality model (70) and a higher quality model (75). one of the main differences between them is the pickups. the 70's got a matched pair of Duncan Distortions, where as the 75's got an El Diablo in the bridge. (the Dan Donegan has a 59 in the neck and the Scott Ian has no neck pup.) now i currently have a DD in the bridge of my ibanez iceman and really like what it can do. i also have a jb in the bridge of my epi les paul and...well comon, it's the freakin jb! so my question is as follows: how does the El Diablo compare to the DD and the JB tonewise?

Well I'm finally getting around to finishing my all black strat project and I need the following:

I getting ready to wire up my guitar. It has an H/H set up with a 3 way blade switch, and two knobs. I would like it to have an individual volume for each humbucker and no tone control. How would I go about that? Thanks

OK i for years have been wanting a JCM 800, since i was teen in the 80's. In fact i used to go to a Toronto store every Saturday and dream about an 800 and a 4x12 cab.. When i got older Marshall had changed to 900 series and i ended up buying other companies amps. I hear the 800's can be extremely great sounding when set up right.