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Hi Guys,

Would automotive lacquer (prime/base/clear) make for an acceptable guitar finish? I happen to have some lying around. (the old-school, ozone destroying stuff )

Just went to her clinic tonight... she was awesome! She showed us some chops too! 8-finger tapping, string skipping, etc... And did flight of the bumble bee and beat it!

I'm kind of sick of the voicing of my Peavey 5150 now. It's too buzzsaw and artificial sounding to me; I guess I've just shifted my tastes again, because I used to be madly in love with the thing. So, is it possible to have it modded into a high-gain Marshall? The tone I'm looking for is basically the Yngwie sound, so high-gain Plexi. It would be nice to have it do some VH tones as well. How much can I expect to have to pay to have this done and where should I have it done?

I am tempted!
since the DD is a JB with a large cermaic

I am planning on stripping the finish off of a POS guitar and was wondering what removers and chemicals could help me on my way. I am willing to use a little elbow grease. Thank you in advance.

Can anyone tell me how a Marupa body would sound like as a solidbody electric? What is its tonal characteristics?

i have totally re wired an old ish guitar up, but the wires are all individual not the kind with two wires inside a thicker wire so it is quite a mess inside their.

I apologize for asking this on a Duncan forum, but I’m possibly looking for a couple of Dimarzio pickups with the chrome toppers (chrome bobbins). They are listed on the website but incredibly hard to find. I assume it’s a special order… anyone know who to contact?

I admitted that I had been a gearholic. I used to by a lot of gears including guitars (13 now), amps (4 now), pickups (easily 100 so far), pedals (15 now), pickguards, hardware, locking tuners, Tonepros, pots, caps, straps, etc etc.
I stopped doing that few months ago. I don't swap pickups anymore. I just pick up a guitar and play it and I sound pretty darn good (I am very familiar with my amps though). My conclusion: stop gearwhoring is a way to tone heaven.

Yes, when i play the quot;mainriffquot; or whatever you want to call it, in the song quot;Iron Manquot; by Black Sabbath, I have a problem..I can't slide from the two frets to the other without getting a little rattling sound, and Iommi can do it without any noise at all.. Just to show what I mean, this is the riff:

Hey guys,

Spent quite a long time on the production with this so criticism is greatly appreciated. emg 81 lowered in an epiphone sg into vamp for rhythm guitar. sd jb into vamp for the giant solo at the end. The short lead at the beginning was Tim- I think it was his tokai love rock into podxt. I'll be sending this off to Robert S. wednesday assuming there's still space left on the cd.

For Sale:

I have a warmoth body amp; neck- mohagony body, flame maple top, strat shape, maple neck, rosewood board. It has spaces for a hum single single,. Right now all it has is an EVH in the bridge, and only a 250k volume, no tone. I got tired of trying to match pups, so I went with the one pup and vol. BTW, the 250k pot really helped the tone of this pick-up, and it totally rocks. Now I think I might try to get a neck pup. I want to get your regular strat neck tones, though I don't know if that will be possible with this body. I have a strat at home with a hotrails bridge, cool rails neck, and a quarter pounder mid (RWP), so I can pilpher those, or the store I work at has a vintage, and an alnico pro II. I don't care about hum cancling, but I do want to know what to do about keeping the volume between the two pups somewhat consistant,or at least not a dramatic difference. Any ideas? Y'all are always such a great help. Thanks.

I have two i can sell without the 35 day wait!
these were sold but the guy backed out of a trade!

Hey, I've been offered a 1x12 fender tweed cab with a 80 watt Weber 12quot; California ceramic speaker, with some extra dome thingie for extra warmth or something. I know it's a very neutral speaker, so it made me wonder if it'll be good with my Marshall and Laney?? And how are Fender tweed cabs?

Hey all,

Hey all. I've currently got in my Les Paul Studio a CustomCustom in the bridge and a '59 in neck. I think I want to replace both. The 59 is a pretty rockin' pickup, but I think I need something with less bass. As for the CC, I really dig the smooth top end, but its just all mids. Its narrow. Not to be confused with thin . . . its a thick pickup but its too focused in such a narrow area that it just doesn't sound BIG!! if that makes sense. I have no idea where to look for the bridge, any suggestions? For the neck, I was thinking either PG or A2P. On a slightly side note, I recently had a chance to play a really nice Tele, and while it was a little too bright for my tastes, holy crap did that thing have TONE!! So, I guess I'm kind of looking for a pup that might be less output but more toneful for both neck and bridge positions.

If you guys remember, I had a thread about tracking my vocalist stuff and nobody really liked him. I got my SM58 in today and decided to give it a shot, so here's a new track with my vocals over the top. Let me know how it compares to the old one!