threw up another 2 sucky clips from my attempts at recording last week
quot;more crapquot; is the firebird through the 800 model on the POD XTL. sorry for the quot; CD skippingquot; sounds...whenever the pod would clip it does that
quot;Fadedquot; is the Faded LP standard with a very dry signal..800 model again

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Actually, it's more of a rackmountable distortion box. It has 3 distortions. A TS-808 that I modded a TON. It sounds like BUTTER. A Tweak Fuzz with an extra little circuit I added that allows the fuzz to be more versatile. Lastly, there's a Mesa V-Twin circuit. That V-Twin is stock. Each distortion is selected via ground-to-tip relay jacks. I even made the enclosure! So, what do you guy's think? I knwo the pictures suck.. haha
P.S. the boards aren't mounted well yet, The electrical tape insulation is temporary.. haha
P.S. In the title, quot;Madequot; is in quotation marks because I didn't create the v-twin, tube screamer, or tweak fuzz pedals, just modded and mounted them in a unique way.

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Hi guys.. Hey, I'm buying the Duncan F Spaced Distortion for my RG 550 which has the Edge trem.. I am wondering if you folks think it will sound ok? I mean, I was worried it might be too bright, but after looking at the reviews, most people said it had a lot of bottom? I have had it before, many times actually, but almost every time it was on a Gibson type guitar, except on a Kramer which had a maple body and neck and it sounded good, but a tad tad too bright to me, but I was able to fix it with the EQ.. The same Kramer had a JB in it from the factory and it was way too shrill I thought, which is what I'm worried about with the DD? Do you think it will be too shrill? I had an Ibanez RG a long time back but it had a Tone Zone in it, but it was too bassy, but I did like the harmonics.. I didn't like playing lead with it though.. It didn't seem to me to have the cool sweetness of a Duncan.. It was ok, but the DD is so sweet on a good Mahogany bodied guitar.. it's like it was made for it.. I had one in a SG and a Flying V Gibson and it just rocked in those! Also in a Washburn custom shop set neck made of mahogany and it again rocked.. so I'm hoping the basswood guitar which I think typically is kinda a bassy wood or a blurry wood should sound good.. The trem though typically bleeds off some bass.. So I'm hoping it will EQ out ok...
What you guys think? If this doesn't do what I want, I'll sell it and get me a Dimarzio Air Zone as I hear they are great and have great sustain and cool harmonic overdrive almost like a sustainer pickup when you hold a note.. I'd love that.. and I used to get it with the DD.. in a set neck guitar.. Let's hope I can get it with this RG 550 Cranked with a killer Distortion pedal!
Thanks guys.. Had to ask and talk.. I'm all excited.. Should have my guitar soon and I'll post some MP3's or sound files when I get the duncan put in, and with the stock pups so everyone else can hear the difference..

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I just got a Classic Stack, (STK-S1), from Butch, and in an effort to minimize how much soldering/desoldering I do, I'm trying to decide which pup to replace in the Strat in my sig. Which do you think might sound better:
CR - SSL-6 - Stack or,
CR - Stack - Lil59 ?

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Hey here is an odd one but one i'm sure has an anwser as there is tons of strats like mine out there... How can i get the smell of tobacco smoke out of my guitar.. past owner must of smoked more the Keith Richards......
I bought this 1988 USA Fender strat a few years ago for a cheap cheap price! Came with a Charvel hardshell case-(which was a match for my 87 Charvel!!!! The strat had 3 EMG 81's in it which i took out and on a new pickguard i put Fender and Duncan pickups.. Guitar was rough..... I had to spend a long time cleaning it up... The bridge saddles were so baddly rusted that after a night of soaking in oil i still had to drill some screws out of them....
When i first got the guitar i gave it a fret dress and then took the guitar apart... There was so much dirt i used soap and water to get the junk off it.... Then i used guitar polish and cleaners...... still the guitar 3 years later smells like smoke and i can hardly stand the smell of it..... Any ideas what i should try?

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Hell all!
I have been through a lot of pickups in my PRS McCarty, but no Duncans! I think it is stime to change. I have tried a variety of pickups including some boutique pickups and now I want some pickups that will kick some butt.....as I have been trying lower output pickups. Who am I kidding, I play heavy music from classic rock to modern metal and I like thickness and sustain as long as I can still get good clarity and good cleans. Any thoughts guys? I can't afford the boutique guys and feel I may be able to get it done with Duncans.
The guitar is mahogany/maple top and rosewood fretbaord. She is a warm guitar!

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I'm sure you probably get these questions from new people all the time. I have a '97 Les Paul Standard that I've owned since new and is completely stock. It plays like a dream, but is somewhat lacking in tone. I feel the level of output to be somewhat excessive and the tone rather unremarkable. It really feels like your listening through a haze on the bass notes and treble on the bridge can be a little piercing. I've really been spoiled by my '74 LP Custom. I've had the tone of that guitar described as quot;fartyquot; It has a rather low output, VERY well defined bass and and clean, but not shrill highs. Very growly and mean, almost like a Duane Eddy or Johnny Horton sound. You can take my LP Custom and do some Scotty Moore style finger picking and everything in the room will jump when your thumb hits a bass note. Take the Les Paul standard and you might get some vibrations when hittin a bass note, but you literally don't feel that punch. There's no deep, hard hitting, definition, just a thumpy mush. (I'm sure Ebony fretboard makes some difference).
Any suggestios on something close to what I've described my Les Paul Custom as. I play out of Sun stuff, 50's country, and CCR with a '67 Deluxe Reveb and a Vibro-King. I would really like to have something with a nickel cover. I have no objection against a Phat Cat either (played a '55 gold top and feel in love). Its kinda hard to describe tone through text, but I hope you can see what I'm after.
Ellum - for what you described, I recommend a seth lover brige and a jazz neck. The seth lover has lots of definition and it's nickel covered. I also like the a2pro bridge. It's similar to the seth lover, with a little more bite on the top and and slightly more punch.

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from : localhost/adam.fulara.com/
check out the videos if you haven''t seen this guy before...it's not my thing but the guy is really good at what he does!!!
yeah, the guy's good... but come on...his guitar face is the most ridiculous thing ever witnessed on film.

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My birthday's coming up, and I have about 80 bucks at my disposal.
I am currently very pleased with my DRRI, but what the heck, there are better speakers and tubes out there that I can experiment with. I was thinking-either a Weber 12F150 (I think it's a C12N Jensen clone) or a set of JJ's power tubes, a Weber copper cap rectifier, and a bias rite socket for my voltmeter.

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Guitar is a Carvin DC-145 with alder body, ebony fretboard, fixed stringthru bridge, neckthru body, HSH configuration.
Bridge: Custom Custom HB
Middle: Five-two SC
Neck: Alnico II Pro HB

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hey guys
just wanted some general feedback on sum tele pickup configs.
ive been reading a tiny lil bit and ive started to really like the tele look and shape. however im not much a fan of the original tone. im very into rock and blues but yeah suggestions?. im thinking of maybe a Vintage Rhythm Stack® in the neck and a Little '59™ in the bridge. anyone can give suggestions what that would give me?. im getting a SSS strat soon aswell but would really be my blues guitar..with sum fender custom shops maybe and my les paul would b for that crunch i want in rock and the searing lead tone. i want this tele to be somewhere in between give both maybe like a single coil in the neck? or a bucker in the bridge i dunno, please give sum suggestions?
-ben

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Just looking for a pickup to go in my warmoth strat at the neck. I'm going to be putting a distortion in the bridge.
I really like the PGn and I don't see any problems pairing it with the DD in the bridge.
Sounds like a cool guitar.

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