software

I know some of you have the Screamin Demon in the neck. Could you describe the tone there as compared to the bridge postion?

Also, how do you think it would match with the CCb in a maple neck thru?

I had the tb12 in bridge : very clear , fast response to pick attack , BIG attack , enough bass, mids, and a lot of treebles !! harmonics are easy .
All this is good ( except , sometime , mean treebles and big attack when you want softness ) but it is not a distortion class p-u ; if you want high gain you have to rely on preamp or pedal .
So that said i have a sh 12 in neck : It have all the qualities found in the bridge position , treebles are just fine now but it can be a bit muddy on bass A - E string with a lot of gain ; what i do ( but with a Jazz neck as well ) is i reduce bass before preamp with an EQ or overdrive ( Boss OD 1 ) and it's fine .
And ouputwise it is powerfull in neck , it still have this big tone ( with more ouput in neck ) and good fast response .
It is like a hotter Jazz neck pickup to resume .
It is not as subtle as a sh1 '59 neck .

Bump, I know there are other who have done this.