I was thinking about getting a dimebucker. What do you all think about them? Are they good for lead and crunching out on some cords.

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would someone willlingly please donate a guitar to me?I'm an aspiring artist wishing for a guitar.

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I'me selling some pedals that I don't really use.

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It is back in my roastar with the Jazz in neck and it total happiness .
Clear as crystal like the Jazz , you can play fast and every note can be heard,

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I've been back and forth for a while about this one. But I just don't play it all that often as I'm really getting away from Floyded guitars. Here we have a 2002 Ibanez RG1527 7-string in Cosmic Blue, with hardshell Ibanez case and all the tags/candy. For specs: from : localhost/The color looks more like a sparkle purple but a very cool color either way. It is EXTREMELY clean. It has never left the house and has been taken care of just about as well as I can and still play it. It has a little scuff mark on the cavity cover and a tiny nick about the size of a pin head on the top back edge of the body . I tried to get a picture of the nick, but it didn't come out so welll. The picture makes it look bigger than it is because the flash is reflected off of it.

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I am putting together a parts-o-caster and I am using a maple neck with buckers...They will be lower output (7.7k, 9k-ish) and planned on using a mahogany body...Since mahoganys grain isnt too pretty, and I planned on leaving the guitar see through finish or unfinished, I was thinking about swamp ash...will it be a lot brighter than mahogany? what would be another good alternative?? -Will

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Hi All,
I'm trying to decide which P-90 to put in the bridge of my Les Paul. I've been using a Vintage neck and a Hot Neck in the bridge position. It's been working ok but I'm getting tired of the quot;chain sawquot; tone when I use a lot of gain. So I'm thinking either a Hot Bridge or the Custom Bridge. I'd like to get a smoother, less harsh, maybe even a little darker sound. Any suggestions?

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from : localhost/search.ebay.com/_W0QQsassZhapplessite

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Alrighty, well I've had the Studio and Quad preamps for about a month and in that time, I've been able to get more familiar with the tones that are inside these sweet units. I know that from time to time, there are folks that are curious about how these two compare so I thought I'd throw out an example of how I've been using them and describe the similarities/differences. The STUDIO sections are in BLUE and the QUAD sections are in RED

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What's the classic Mesa Boogie sound? Gibbons? Santana? who represents/records with Mesa's? What distiquishes Mesa from Fender and Marshall?

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