software

Hey dudes. I posted some kinda crappy quality Tweak Fuzz clips before. I was using dynamic mics before, and I am hating the sound of those. All the guitar tracks in this clip were recorded in my garage with an M-Audio Luna Condensor Microphone. The amp was REALLY quiet on these clips, which makes it even cooler that these tones came out.

How many of guys own Wolfgang Specials?
to find out if you ever had any trouble with its electronics.

I bought some '57 classic humbuckers off of e-bay for my Epi Sheraton II, and suddenly reality has reared it's ugly head. I've never done this sort of thing before. I started to remove the old pickups and got as far as the wire cutting point and stopped there. I have one wire coming out of each pickup - blue for the bridge, red for the neck. The blue wire runs into a black and white wire about ten inches from the pickup. The red appears to run on down to the volume and or tone control for the neck (this is a semi-hollow body so it's kinda tough seeing much beyond that). So, I'm thinking: detach the bridge pickup at the junction with the white and black wires, track down the red wire for the neck pickup and detach/desolder. Sounds simple enough, however, if anyone could screw this up, it would be me. Any and all suggestions are welcome and would be greatly appreciated. And yes, I recognize the question is a bit moronic, but what the hell, ya gotta start somewhere.

I just got my amp back after someone droppedit, I had to get it fixed.
Well I gotit back and it sounds different than it did before it was dropped. It actuallly sounds amazing to me for what it sounds like now.

I got a Gift Cert from GC for Fathers Day (a little early, but fine with me ).

First off a special thanks to Dave for the loan of his Lindy Fralin Blues Special neck pup. I am in tone bliss right now! Don't want to go to work, don't want to play my new Tele Custom FMT HH, I just want to play my standard tele with the hot Broadcaster/Fralin Blues sp neck! It's a pure blues/rock machine now. The hotter Fralin blends perfectly with the Broadcaster, the combo flat out cooks under gain. And the Fralin is VERY similar in output and tone of a Strat neck. Cleans are bell like and very sweet. Just what I was looking for. I am wondering, however, does SD have a similar voiced and output neck pup? And can this combo be improved on even more?

But are there any particularly COUNTRY-sounding scales? I've been noticing that my soloing (such as it is) tends to sound distinctly rock and while throwing in a couple of unison bends or double-stop licks helps, I still kinda feel as though I'm painting with the wrong colors sometimes.

o.k. guys heres the holy grail to my sound. this is one of the hard to find gsp7 processors and features 128 pre-sets, which you can do just about anything you want to with. i think this thing has every effect imaginable on it, way too many to try and list here. it features an input jack on the front and back for whichever side you might want to use,headphone out, left and right outputs, dual footswitch inputs labeled a and b, and midi in and out jacks. i played one of these years ago and couldnt afford it new, (seems like they wanted about $400 for it) and finally ran up on this one.; i hardly ever see one on ebay and when i have they usually bring around $200 and up. i am gonna ask $175 on it, but i'm negotiable. i will also consider trades. buyer pays $5.00 shipping in the con. u.s. via priority mail. also i dont have the original manual, but i'm pretty sure i can print one off the net and include with it.does it come with the bong as well. haha

or Dimarzio double creme humbucker--preferably for hard rock.

I know that you guys have swapped out magnets.... but what about pole peices?
They do all make different sounds, right? Look at the Full-Shred, the Invader, Screamin Demon, Dimarzio models and so forth. Has anyone ever tried swapping these out and if so did they hear a difference???