software

What do you run from your line out plug on your head to the amp cabinet itself? Is it an ordinary instrument cable or do you need a dedicated chord for this duty? Just curious as I don't have a seperate amp and cabinet yet and may need this info one day...

I've got a Boss GT-6. I love it dearly. Since I've owned it (probably 6 months or so), it's gotten me everywhere I want to be tonally, and I still discover new **** whenever I goof with it. I have absolutely no problem dealing with the technical aspects (read: programming) of it, either. I take it to my drummer's house, plug it into the effects return on his stack, and am tickled to death with how it sounds. All in all, I've never been so satisfied with a piece of gear.

Several modifications are required to both the LEAD and RYTHYM circuits, as follows:

Although I am just 16 (and I have been playing guitar daily for 5 years), it seems like I have come to a spot gear-wise where I am very comfortable (I have never been so comfortable with my playing either, I feel like I am learning and getting better rapidly). Even though I know I am young and will collect more and more stuff (guitars, effects, amps) over the years, it is nice to know that I really like my sound and truly think it is professional-level sounding. I also like knowing that even when ears change and I sell or buy stuff and my sound continues to evolve, I will always have the basis of a great sounding rig with me...Here's my rig:

On a 2000 MIM strat, did they use different woods or just one type of wood on average? What is the type of wood they used?

I've decided against getting a really cheap axe, and I'm looking for something along the lines of the ESP Ltd MH-400... from : localhost/played that in the shop and I absolutely love it - theres just something about the feel of ESP's that I really like.

I have a Marshall 1960A cabinet for sale. The wiring is set up so it only runs in mono, but this can be fixed very easily. I'm looking to get $375 for it. You'll also have to pay for shipping. Price is negotiable. PM me if you're interested.

I'm thinking about this pickup for the bridge position of my Godin SD. The Stag-Mag would be two single coils which can be combined to form a humbucker, but how would I do that? Does the SM come with a push-pull pot (the Godin only has two controls: volume and tone)? How do the two modes (SC and HB) of the Stag-Mag sound?

Hey guys.

Hi folks. I currently have two SH-1 pickups, one neck and one bridge. My Neck pickup is defective so, I am wondering, can I put my SH-1 bridge pickup in the neck position and then add a JB model to the bridge or will it sound like crap with a bridge pickup in the neck? Is there a difference between the two SH-1s?

hey guys some of you might know that im selling my dear old les paul, ive decided that the strat really is my thing right now. so im gonna buy a strat purely for how great it feels and how resonant it is unplugged. i dont care if its a squier. well yeah, i do. im gonna make sure the components are pretty good. i dont want to gut the entire thing. but then im going to replace all the pickups to get a stevie ray/texas blues sound. what pickups are best? im sure duncan makes a great set. i was thinking about the antiquity texas hots with custom bridge surfer. but waht about van zandts? fralins? lollars? i was looking at the van zandt blues pus and the fralin blues specials and they are definitely candidates... they both end up being cheaper than the antiquity duncans once put in a set of 3 too.. so anyways opionions?

I am playing out tonight. I have the choice of my $$$ temporary PRS SE Soapy or a $$$$ 91 Paula Custom. I am gonna go with the PRS! The Paula is killer, but I just can't get used to the way it feels to me!! I want a Paul so bad because they look and sound so good, but I just have never gotten used to em'. I guess I'll always be stuck as a Tele man!! On an off note the only thing my Tele needs now is a neck and some paint.. I can't wait!!

Hi All,

Hey guys.. I put a DD in the bridge position of my RG 550 and while I love the DD and always will as I find it to be one of the best all around EQ'd pickups on earth, on this guitar it's a little bright, because the guitar is bright by nature with the Ibanez Trem which is a real monster, but I love it.. Anyway, I'm going to go to the Tone Zone in the bridge which is also a high output pickup, and I'm wondering if the DD would work in the neck or is it too high in output compared to the Tone Zone? It seems to me that from memory the Tone Zone was about the same in output or even more, but I don't know for sure, and I can't tell by looking being that SD doesn't publish MVolts in output, but just DC resistance, and I don't even know for sure if that matters? I'm not an electrical engineer for sure..hehehe.. Any help would be greatly appreciated! If it will work, or anyone thinks it will, what single coil would be good for the middle of these two hums?
Thanks so much

Hey guys. I have access to a cheap bone nut, and Iquot;m wondering what the advantages are of bone over plastic. What do bone nuts sound like? How do they affect string life? How would they sound/function in an SG? THanks.

Hey Everybody, generally speaking does a lower output bridge humbucker = better clarity under medium to heavy distortion? Thanks for the help.

Does anyone know of some reputable effects pedal repairmen?! The first switch on my Line-6 DL-4 has decided to be less than co-operative in basic function and response. All help is appreciated.

After all this time wrestling with my V-amp and my Fender 650 (which is one heck of a good box, but just not working too well with the v-amp), I tried plugging my blue thing into the crummy little marshall MG15 DFX I got along with my guitar. And it sounded good - the V-amp sounds warmer, and the crunchy models sound good after they're quot;Marshallisedquot; a bit.

Who here is using one of these and how do you like it? I need a power supply but I need it to be able to power both types of Boss pedals as well as my Rat, Duncan boxes, etc. Any thoughts, good or bad...let me know!

Got a used bargain-price amp a few days ago. For about 90 US$, the used-dealer thought it was solid-state. A discontinued Hughesamp;Kettner quot;Studio 84quot; amp (AKA quot;Tube 20quot;) HOWEVER
When i play bassy notes a bit louder (clean or dirty) I hear an amplified glass rattling sound. I've read that the taller EL84 are prone to rattle. Even with the amp off, if i give a little knock on the top, i can hear the sound of glass (kinda like a tray-full of empty drinking classes being carried down the hall)