software

OK...love this tune...never bothered tryin to learn it..til tonite

i saw this cold heat solder iron. interesting concept.any of you forumites used it before? are they good? plan to use it for electronics work on pedals and stuff.

The UniValve, BiValve and new Flexi 50 look intersting! (i know i'm sick...i haven't had my new amp for 24 hours and i'm already starting to G.a.s!)

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Hi everybody.

Whats your pick for the bridge postion of a PRS Standard 24. Most likely a 59 in the neck.

I find ths stock QM2 in the bridge really weak and brittle sounding. I want something thats a much thicker as far as the midrange goes more similar to my gibson explorers 500T, but without the treble being as piercing. I want something not stacks of bass, but it has to be tight. I suppose i essentially want a high output PAF-ish sound with a generous serving of mids, something that will cut through for leads. nothing too fizzy.

I heard he is using a sh-5 custom in his pepto- bismol colored ibanez on intense rock 1 vid?

I'm not interested in playing heavy rythms or anything so i don't need heavy strings. Does anybody here uses .008s and like them?

Guys, I have a question for everyone . . .
Which will give me a warmer, thicker tone in the bridge position of my Strat: a Lil 59 pickup or a Cool Rail????

Here's a cover I did of VH's Panama. It's possibly, technically, the easiest VH song . So I thought it's for me.

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Ever since The Gathering came out he's used Dean USA's with Seymour's yet as of recentley with the reunion of the original lineup he's using a black Gibson V with EMG's.

I have been playing my JV strat with a neck A2 Texas Hot, and the middle and bridge are still the stock JV's Tex Mex's with A5's. This is beginning to develope into what I might call the best of both worlds arrangement. Nice warm bluesy neck tones and singing bright chimey bridge tones.