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I'm just curious what exactly makes a pup a bridge pup or a neck pup. Obviously output and voicing play a role. But what if for instance you have a high output bridge pup and you want a commonly used lower output pup for the neck like a jazz or an A2P. What makes a A2P n better than a A2P b when mixed with a higher output bridge pup. Also what are your opinions on pups that absolutely don't sound good in the neck, for example the JB is quot;preferred for bridge positionquot; but I know it can sound great in the neck.

I must admit they are a bit fat in the low end .
Tested in a Roadstar RS530 with a very thick baswood body , blocked trem .

I certainly do!
they both have great cut, harmonics and sing like a canary.

Which neck pickups sound the best for you? I've owned a PG set in the past and thought that the neck PG was amazing. I just got an Alnico II neck and am liking that very much. Any one have any comments.

If you are into 70's and 80's rock guitarists, this site RAWKS

Hello fellow toners. I am thinking about upgrading my ad50 combo to a ad60 head and 2 12 inch speaker cabinet, and i'm wondering if this combo would be to loud for bedroom use. The head has a power attenuator, so I'm good there, my only concern is the level required to drive two speakers versus just the one I currently have in my 50 combo. What do you all think? Would I be better with a single 12 inch cabinet?

I'm looking for an Ibanez AM-50AV. These semihollow axes were only made in '82-'84 and are hard to find. If anyone has one and is interested in selling, email me at joshhobbs@bellsouth.net.

Hi guys

hi, just wondering whether i can do something to a distortion channel on a solid state amp to make it heavier or have more gain etc. i was thinking maybe there are types of pedal that can add something to an already distorted channel. i have used distortion pedals through a clean channel before but i find i cannot get the same volume as the distortion channel used on its own.

I guess the formula goes something something like this: