software

guys

I'm looking for a few new pedals to try out and one type I'm looking for is a rotating speaker simulation pedal. I know theres the Univibe reissue Dunlop makes, which is basicly the standard based on the original Univibe used by Jimi himself. But what rotating speaker pedals does everyone else use and which ones would you recommend?

OK then folks.... This is my jump into the deep-end of the pool of infinite evil. In other words, my trip to the dark side: DIMARZIO.......

Yeah, if you have some clips with these pickups, it doesn't matter if you made them yourself, then feel free to post them here. I can't wait for my own guitar with that setup, which I will probably still have to wait 1-2 months for, so I'd like some soundclips to listen to so the waiting will be easier.

I'm looking for a cheap but decent condition Epiphone Les Paul Studio. I would prefer no modifications (all stock) and a newer model (2004 or newer). And a hardshell case would be a great plus! Color doesn't matter.

I got a new Jensen speaker in 16 ohm, put it in my cab, did everything you all told me to do, (made a jack for the original wires for the stock speaker, bought a SPEAKER cable that the guy at the guitar store told me to use). I was thinking, sweet, I'm good, right? Wrong. I STILL couldn't even turn the amp up past 3 before the speaker started crapping out. It f*cking blew the speaker. WHY!!!!!!!!!!!!!!!!!!! Should that happen? What am I doing wrong??

into the bridge of my Fender Jaguar, and the clean tone has some distortion on it now. I'm still picking my way through all of this, but the next step would be to install a new volume pot with a higher resistance, right? How do I determine wich one I need? Or can I just wire in a resistor in series to the current one?

Cort M520 - natural finish...Same as pic but natural finish...I cut off that tiny little ugly part at the top of the headstock...Custom Custom Trembucker bridge, Alnico II Pro neck...Nice sounds at my price, nice to have a HH guitar around to tinker with...Cost me $300 $130 for pickups...Will sell for 230 shipped!!!
Two piece Bubinga Strat body...Yes, BUBINGA...Has it's share of scratches and dings, but would be great for your Superstrat project! At one point I think it had a sticker, but it has an amazing 3D look to it(thanks to bubinga) Routed for 1 hum, 1 volume, 1 tone, and a switch...I will leave the electronics in there (no pickup though)...60 shipped!!ZOOM GFX-707 old-school multi effects thing...25 shipped!!!

Would a Marshall DSL50 watt head be loud enough to hang with another guitarist in a band setting who's using a 100-150 watt head?

Well, I installed a seymour duncan dimebucker in my bridge and i can't get the pickup height any higher. The spring is as compressed as it can be. The string is 11/16 of inch high, and the pickup at its peak rests at 5/16 of inch. Its only obvious i can't unleash the power of this pickup. If anyone can help me get the pickup higher by either getting longer screws that fit or by cutting the spring or something, any comments would be of great help. Thankyou.

Okay, poll time again...

I tried a JB bridge pickup, and i loved the sound on the lower strings and hated the higher ones. The three lowest were perfect but the three highest were to trebly and biting and harsh. What pickup has similar lows to the JB but is smoother up high?

I don't have a picture of it, but maybe one of you know of it. It is the guitar played by Adrian Ingram in his instructional DVD titled, quot;Jazz for the Electric Blues Guitarist.quot;

I just don't get it. I own a Digitech GNX3 and a Death Metal Distortion, and I love both of them. I don't get much buzz or hiss from my Death Metal, and when I put an EQ next to it, it sounds as smooth as a freshly oiled guillotine. Before you pass me off as not knowing what pedals are out there, I've used a Moss Metal Zone. I hate it, sounds like hitting an aluminum sheet with a hammer. I've used the DS-1 and the Mega Distortion. Neither of them give me the response I get with the Digitech stompbox. I've used quite a few classic distortion pedals out there, and I keep falling back to my beloved Death Metal. As for the GNX3, there are no more than ten presets that I don't absolutely adore. I'm challenging all you Boss lovers out there to tell me what I'm smoking; maybe fill me in on what I'm missing. Maybe there's something wrong with me because I don't think I should pay a hundred dollars for single effects, like pitch shifting and phasing, but the GNX delivers for me. Haven't ever had a problem with it.

what pickups does satch use in his chrome guitar during live in SF the crush of love........ there not dimarzios i think there seymour duncans but im not sure.

Ive been playing for about 5 years and like last year i came up with the idea that if i used heavier strings than it would be a better exercise than lighter strings so i switched to 11s but im starting to wonder that i should probably go with a lighter string cause there would be less muscle tension and id be able to play faster and when my band gets more serious id switch to a lighter string anyway but for practicing speed should i go with a heavier or lighter string?

I was looking at Gretsch Duo Jet w/ bigsby on the net adn i think i have found what i am looking for. I really want well a ricky type sound but with slightly more grunt and more versatility and i think this is is. What do people think about the Duo Jet (with Filterons)?. I want to play surf, brit pop, rockabilly, rock and roll (well a bright jangly sound really)

Got me a Cort Curbow bass here for sale, all in good condition, the only real flaw is a bit of buckle rash on the back that wouldn't really photograph well, just a couple 1/2 inch long scratches. Bought two years ago when I thought I was a bass player. Frets are in nearly new condition.

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I bet this thread is gonna feel awfully lonelly so be sure to keep it company (answer it lol).