software

I know this may sound weird but I'm wondering if a C-5 is hot enough to keep up with my other guitars for a heavy, drop C metal tone. I've got a JB in my McCarty Standard and am putting a Custom in my Custom 22. I want something ballsy for my singlecut but don't want to double up on the same pickups in different guitars. While I realize they won't sound the same because all my guitars are different in body shape, I just want some extra diversity. I do not want a Duncan Distortion especially. If I could find another pickup I would be happier. Any suggestions from people who have actually tried the C-5 in this particular situation let me know.

If I come up with a 2xEL34 Franklin, should I change the name to something completely different or work the name Franklin into it?

I'm loading up some Webers into my new 2x12 cab and I have two questions.

Been hearing and reading alot about this pedal brand, when were they produced, are they still produced? What were special with them? I'm very interested about this pedal called Maestro Fuzz, does anyone have any experience with that pedal?

Where do you guys get your jam tracks??

Alright, I was cleaning out my gear closet today and found a plethora of cables left over from my rack days, and also found a white DiMarzio clip-lock strap in a box.

Hi everyone,

Pedals that can make cool noises for atmospheric applications, could you please list some?Bee

I have no NOS tubes in my Marshall. I discovered tube amps after I joined this forum. Shortly after buying my first tube amp I ordered some NOS tubes, and have been a fan ever since. I recently tried some of the new Groove Tubes 12AX7's, and was so impressed I went out and bought enough to retube my entire amp.

If an A2 magnet is warm highs, big mids,soft bass tone and an A5 is brighter with tighter bass response tone what does a Ceramic magnet have going for it. I`ve thought about trying a Custom but I`m not sure about the ceramic magnet. Please excuse my lack of smarts in this area.

I got three 8 ohm Celestion Vintage 30's I'm puttin up for sale...these retail for 110 on musicians friend each...I'm lettin em go for 85 each shipped. They're for sale individually, in pairs, or for all three.

The Variable Power Control on my convertible doesn't seem to make that much of a difference, even when i turn it down to 5w. Anyone knows how to fix this so it will work more or less like a real attunetor?

It's a 1995 MIM Standard Strat with a Rosewood board. Olympic white. It got a new Graph-Tech nut a couple weeks ago and a new tremelo arm. It comes with a cheap garden variety case, but it'll keep packing peanuts, etc. off of it during shipping. I'd rate the overall condition as 8.5/10. There are a few discolorations from it's age and a few VERY minor dings and pick scratches.

UK amp; Europe ONLY

OK....imagine this:

Miraculously, you have the amp of your choice and electricity too!

I have to replace the output tubes in my Rivera Knucklehead Reverb.
Stock they have the winged C's. The problem is i need tubes fast and my supplier hasnt any in stock. But he does have a matched quartet of JJ 6L6GC's. I dont have and experience with these, can anyone tell me what i can expect in terms of sound, output etc between the two please.

Hi all!

I'm considering eventually swapping the neck on my JS600 out with something a bit fatter. The body resonates like crazy, the neck is just a bit dead though and I think a nice piece of wood would really make the thing come alive. Anyways, I'm considering a mahogany/ebony neck, but I'm also curious how an all-rosewood neck would pair up with the basswood body of my JS.

Hey all,