software

I've been placing my compressor after my overdrives in the signal chain, but the great Pete Cornish says in the latest edition of Guitarist magazine regarding his rule of thumb for effects order, quot;A compressor first, because that will even out the guitar's output. Any high-gain distortions come after that, then dropping down in gain as you go along.quot;

I place my RMC3 wah first, then my Analog Man Sun Face (Arbiter Fuzz Face clone) per Analog Man's recommendation, then I do my overdrives followed by the compressor. I can see putting the compressor between the Sun Face and first overdrive, but I can't imagine putting it before the Sun Face (based on AM's recommendation) or before the wah. Has anyone tried any of these combinations? I'll have to experiment with them myself but I'm always looking for other's experiences.

- Keith

quot;Rulesquot; that people come up with are just their expressions of their own opinions. If you believe that putting the compressor after your fuzz works better for you, that quot;rulequot; doesn't apply to you.


Originally Posted by The Golden Boyquot;Rulesquot; that people come up with are just their expressions of their own opinions. If you believe that putting the compressor after your fuzz works better for you, that quot;rulequot; doesn't apply to you.

Wait a minute here...Are you saying I can break the rules???

let's start a rebellion against unwritten quot;rulesquot;!

Sure you can break the rules. It's just good to know them first.

Sure you can break the rules. It's just good to know them first.

Amen!

If it was my setup then I'd look at - Comp - Wah - O/D(s) - Fuzz. At least I'd try that first I mean. I'd be hesitant to move the compressor anywhere but first in the signal, but then I tend to be very conservative with pedal placement.

I do agree with everyone here saying that whatever works for you is the best way to do things, but argue with Pete Cornish about pedal placement!?! That's practically the same thing as opposing Stephen Hawkin's theories on physics.

The theory is that you're making any boost from your O/D's redundant by following them with a compressor. Simple as that. And everyone knows that all modulation and time based effects 'should' come after any OD/distortion/fuzz. So really the theory of compressor first comes about by default.

The thing about compression is that it evens everything out. Great for a rhythm tone that you want the same level of distortion on every note, but if you want to vary the distortion by picking dynamics and volume control the compressor will eliminate that ability.

That being said here's my order:

Wah, Compressor, Vibe, Phaser, Fuzz, Chorus -gt; amp -gt; Delay, Flanger

Of course I usually only plug maybe 3 in at a time depending on my mussical style of the moment.

For me, I can't think of an effect that I would put in front of a compressor. Wait a minute, yes I can. I MIGHT put an EQ in front, dependent upon the resulting sound.

That's the point, I think. They're your ears and it's your tone. The vast majority of people will never really hear the difference because they don't have the opportunity to A/B them, so do what sounds good to you.

Trey Anastasio (among others) places his compressor after his overdrives. Perhaps that's so he can preserve the picking dynamics PF was referring to.